David Kennedy’s work as Ramadanman and Pearson Sound has always had a particular slant and a percussively textured style all of his own that’s often layered with thick and potent bass frequencies and synth washes.
As a key component behind some of the most daring dancefloor music, both as a producer and as a label owner – Kennedy co-runs the Hessle Audio imprint, alongside Pangaea and Ben UFO - he’s travelled the world numerous times over releasing music by key producers like Joe, Elgato and James Blake as he’s done it. Scoring his label a well respected residency at London club, fabric and more recently, starting his own vinyl only night called Acetate in Leeds, his knack for working over a dancefloor shows no sign of waning. Finding the perfect space between bass bin and monitor he’s constantly innovating, refusing to sit still and feeding off all kinds of temperate influences – from old house to Chicago juke music - the end of 2010 and into 2011 sees him hoarding an array of productions that are absolutely battering soundsystems, radio shows and eardrums alike.
In 2015 he released his eponymous debut album.
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